Wednesday, July 28, 2010

Movie List for May, 2010

Hey Folks,

Well, we are gaining some ground as far as the blog to real-life is concerned, but not as much as would like. In our defense however, Beth and I have been fairly busy this month (July). In case there is in fact anyone out there reading this blog, that doesn’t know Beth and I in real life, Beth and I got married this month. Yay us!! So, the last couple of months have been fairly hectic. I promise, however, to make a more concerted effort to post more frequently in the future and bring this Blog and real-life more into synch.

With that in mind, here are the movies that we will be watching in “May”:

98. Goodfellas (1990)

John

99. Bringing Up Baby (1938)

Stars:  Katharine Hepburn (Susan Vance), Cary Grant (Dr. David Huxley), May Robson (Aunt Elizabeth Random), Charles Ruggles (Maj. Horace Applegate)
Director:  Howard Hawks

Awards / Honors
Genre:  Romantic Comedy
Running Time:  1 Hour, 42 Minutes
Format:  DVD (not yet available on Blu-ray)
Odyssey Rating:  2 1/4 Stars (John - 3 Stars, Beth - 2 Stars, Jon - 2 Stars, Becky - 2 Stars)

John's Take
I found myself in an unusual position concerning this movie.  You see, we watched Bringing Up Baby on the same evening that we watched In the Heat of the Night, and thus we joined in the screening by Official Friends of Beth and John’s Movie Odyssey, Jon and his wife Becky.  If I had been betting on what everyone’s individual rankings would have been after watching the film, and seeing as it is a romantic screwball comedy, I would have guessed that Beth and Becky would have given the movie 4 Stars while Jon and I probably would have given it 3 Stars at best (being guys and all).

I couldn’t have been more wrong.

I found the movie to be mildly amusing.  No else however, including Beth which I found to be particularly surprising, liked the movie at all.  In fact, and I list these just for historical reference, there were only two sections of the movie where anyone but me actually laughed:
Susan Vance (Katharine Hepburn):  "He's three years old, gentle as a kitten, and likes dogs."  [pause]   I wonder whether Mark means that he eats dogs or is fond of them?
And this exchange:
Mrs. Random (May Robson):  Well who are you?
David Huxley (Cary Grant):  I don't know.  I'm not quite myself today.
Mrs. Random:  Well, you look perfectly idiotic in those clothes.
David Huxley:  These aren't my clothes.
Mrs. Random:  Well, where are your clothes?
David Huxley:  I've lost my clothes!
Mrs. Random:  But why are you wearing these clothes?
David Huxley:  Because I just went gay all of a sudden!
And the primary reason why everyone laughed at the second bit of dialog is because Cary Grant jumps up into the air, making silly faces and gestures (he does look very funny when he does that).

Otherwise everyone sat through the movie quietly, occasionally muttering things like, “This was on a list of 100 greatest movies?” and “I am not getting this hour and half of my life back am I?”  Whereas I laughed quite a bit and thought the movie was cute and reasonably enjoyable.  It wasn’t the best movie I had seen so far, but it certainly wasn’t the worst.

Surprised by the fact that I, the person I thought least likely to appreciate the movie was the only one to actually like it, I tried to get people to articulate why they didn’t like it.  Maybe if I can get Beth to actually post on what is supposed to be a joint-effort blog, she might be able to shed some light on her feelings, but as far as Jon and Becky were concerned the best answer I could get out of them was “It was kind of pointless and predictable.”

At the risk of putting words in Jon and Becky’s mouth, some of their problem with the movie may have been that nothing in it felt very original to them.  The primary reason for that, is that elements of Bringing Up Baby has been copied or influenced (either directly or indirectly) so many other romantic comedies – such as films like What’s Up, Doc? and Who’s That Girl? – not to mention any number of television sitcoms I can think of – a certain feeling of “I have seen this before” is understandable.

This movie was a huge flop when it was first released – to the point that it almost cost director Howard Hawks his career.  As time has past however, many people now view the film as a classic (which is why it is on AFI’s list, I guess).  I am not sure it is a classic or not, but unlike some of the other films I have posted about – [cough] A Place in the Sun [cough], [cough] All the President’s Men [cough] – I am going to defer to the American Film Institute on this one and say yes, it should be on the list of greatest American movies.  I know the others will disagree, but I liked the movie and I would watch it again.  From me at least, Bringing Up Baby gets a rating of 3 Stars.

John

BETH'S TAKE:

Unfortunately there isn't anything good I can say about this movie. It was awful I thought. I can't believe this movie was ranked in the AFI's favorite list. There was maybe one or two scenes that were ammusing..but honestly...that's it. It was boring...and even though it was only 1.75 hours long...it was still too long :)

Katharine Hepburn...I love her...just very disappointed that she was a part of this film. Seems as if they tried to hard to make her funny.

If I could have given this a negative star...I would have...but I gave it 2 for effort only :)

Tuesday, July 27, 2010

100. In the Heat of the Night (1967)

Stars:  Sidney Poitier (Detective Virgil Tibbs), Rod Steiger (Police Chief Bill Gillespie), Lee Grant (Leslie Colbert), Warren Oates (Officer Sam Wood )
Director:  Norman Jewison

Awards / Honors
Genre:  Drama
Running Time:  1 Hour, 49 minutes
Format:  DVD (not yet available on Blu-ray)
Odyssey Rating:  5 Stars (John - 5 Stars, Beth - 5 Stars, Jon - 5 Stars, Becky - 5 Stars)

John's Take
In my review of Patton, I chastised the American Film Institute for what they included and didn’t include on their list of 100 greatest movie quotes.  If I am going to chastise them when they get it wrong then I need to applaud them when they get it right, and they certainly got it right when they included a quote from In the Heat of the Night.  Myself, Beth and Official Friends of Beth and John’s Movie Odyssey, Jon and Becky, all together, unprompted, and in perfect unison mimicked Sidney Poitier as he responds to being sarcastically asked what they call him in Philadelphia with the line: "They call me Mister Tibbs!"  That is a great line.  It so great, it has so worked our way into our public psyche that Beth was able to mimic the line along with the rest of us and she hadn’t seen the movie before!  When lines from movies you have never seen make it to your subconscious – that when you know you have something special.  And In the Heat of the Night is something special. 

For those of you who don’t know, In the Heat of the Night is the story of Virgil Tibbs (Sidney Poitier), a Philadelphia police detective who just happens to be passing through the fictional small town of Sparta, Mississippi and finds himself – slightly unwillingly – helping the local police force solve a murder case.  Needless to say, many of the fine folks of Sparta are not thrilled with the idea of an African American leading the investigation, including the Chief of Police, Bill Gillespie (Rod Steiger).  Released in the same year as another Poitier classic (and #124 on our list), Guess Who’s Coming to Dinner, these two movies are very different takes on race relations in America. Guess Who was the happy fable – the view of how things could be.  In the Heat of the Night was (and sadly still is in some cases) a more realistic presentation of how things actually were.  While it is not exactly fair to compare the two films since Guess Who is a comedy and In the Heat of the Night is a drama, it is clear that In the Heat of the Night is aging better. 

That is because Guess Who’s Coming to Dinner ultimately fall victim to the After-School-Special-Syndrome, a condition very prevalent among “issue films”.  The identifying symptom of this condition is the one-dimensionality of the characters – absolutely good or absolutely evil.  This one-dimensionality is particularly true of characters such as Joey Drayton, Dr. John Prentice and nearly all the minor, supporting characters.  In the Heat of the Night, on the other hand, has very well developed characters.  Chief Gillespie is a prejudiced man who is actually sympathetic and capable of growth.  Virgil Tibbs is also shown to be capable of prejudice, as he pursues Endicott without sufficient evidence.  Virgil isn’t above using the local population’s fear of the police to his advantage either (“Now listen, hear me good mama. Please. Don't make me have to send you to jail... There's white time in jail and there's colored time in jail. The worst kind of time you can do is colored time.”). 

It is the fact that the movie portrays an entire spectrum of prejudice, from the crazy extremists to the more subtle forms, which is what ultimately sets it apart from not only from Guess Who’s Coming to Dinner, but  To Sir, Sir With Love (another Poitier movie released that year – 1967 was big year for Sidney Poitier), The Chase, and Hurry Sundown.  Virgil, Gillespie, and the other characters all come off as real people. Nobody is completely good. Nobody is completely evil. 

The first of the 25 movies we watched, Toy Story, garnered a perfect rating of 5 Stars.  It is a pleasant coincidence that this film, the first of the second set of 25 also gets the same score.  If you haven’t seen this film, I cannot recommend it enough. In the Heat of the Night gets a rating of 5 Stars.

John

BETH'S TAKE:

Awesome film! I also like the TV show.

My problem with movies of this topic and of this time is that I didn't grow up in this era. I do get fustrated watching such films. I have never seen obvious prejudice, at least that I know of. I have always been around so many races and cultures that I can't even believe people believed that one race/culture is better than another. I praise my parents for raising myself and my siblings so humbly if that is even a word :)

Wednesday, July 7, 2010

The First 25: A Recap

Hey Folks,

So, we are 1/5 of the way through the list.  I think that calls for a little recap.  Here are the movies that make up the first 25:

125.  Toy Story (1995)
124.  Guess Who’s Coming to Dinner (1967)
123.  Blade Runner (1982)
122.  Do the Right Thing (1989)
121.  The Last Picture Show (1971)
120.  A Place in the Sun (1951)
119.  My Fair Lady (1964)
118.  Sophie’s Choice (1982)
117.  The Jazz Singer (1927)
116.  Swing Time (1936)
115.  Patton (1970)
114.  Frankenstein (1931)
113.  12 Angry Men (1957)
112.  Mutiny on the Bounty (1935)
111.  A Night at the Opera (1935)
110.  The Sixth Sense (1999)
109.  Fargo (1996)
108.  Yankee Doodle Dandy (1942)
107.  Giant (1956)
106.  Sunrise: A Song of Two Humans (1927)
105.  Spartacus (1960)
104.  All the President’s Men (1976)
103.  Pulp Fiction (1994)
102.  Dances with Wolves (1990)
101.  Titanic (1997)

Plus we had two “Bonus Movies” that got added to the list:

Bride of Frankenstein (1935)
El Dorado (1967)

Making for a grand total of 27 movies screened so far.  One thing for certain, those 27 movies do represent a nice cross section of flim history.  We have 2 movies from the 1920’s, 5 movies from the 1930’s, 1 movie from the 1940’s, 3 movies from the 1950’s, 4 movies from the 1960’s, 3 movies from the 1970’s, 3 movies from the 1980’s, and 6 movies from the 1990’s.  So, the 1990’s are the most well represented decade for movies so far.

Keeping in mind that our Ranking Scale (which we borrowed from Netflix) is: 1 Star - Hated It, 2 Stars - Didn't Like It, 3 Stars - Liked It, 4 Stars - Really Liked It, 5 Stars - Loved It; from a Ranking standpoint, the films break down like this:

1.  Pulp Fiction (5 Stars)
2.  Toy Story (5 Stars)
3.  A Night at the Opera (5 Stars)
4.  12 Angry Men (4 ½ Stars)
5.  Patton (4 ½ Stars)
6.  Dances with Wolves (4 ½ Stars)
7.  Sunrise: A Song of Two Humans (4 ½ Stars)
8.  My Fair Lady (4 ½ Stars)
9.  The Sixth Sense (4 ¼ Stars)
10.  Do the Right Thing (4 Stars)
11.  Fargo (4 Stars)
12.  Blade Runner (4 Stars)
13.  Spartacus (4 Stars)
14.  Swing Time (4 Stars)
15.  Guess Who’s Coming to Dinner (4 Stars)
16.  Sophie’s Choice (3 ½ Stars)
17.  El Dorado (3 ¼ Stars)**
18.  Titanic (3 Stars)
19.  Giant (3 Stars)
20.  Bride of Frankenstein (3 Stars)
21.  The Jazz Singer (3 Stars)
22.  The Last Picture Show (3 Stars)
23.  Frankenstein (3 Stars)
24.  Mutiny on the Bounty (3 Stars)
25.  Yankee Doodle Dandy (3 Stars)
26.  All the President’s Men (2 ½ Stars)
27.  A Place in the Sun (1 ½ Stars)

Pulp Fiction, Toy Story, and A Night at the Opera are the only movies so far with perfect scores, while Yankee Doodle Dandy, All the President’s Men and the pathetically bad A Place in the Sun round out the bottom of the list.

We will revisit this again after the next 25 movies, but at the moment, that is how everything has shaken out.  So, I guess all that is left to do at this point is to plow on ahead into the next 25 films – the next on the list being Number 100, the 1967 Sidney Poitier classic, In the Heat of the Night.

John

** What can I say, Official Friends of Beth and John’s Movie Odyssey – TJ and Jeff – both really like this movie., so we have a bit of a statistical aberration on our hands.

Tuesday, July 6, 2010

101. Titanic (1997)

Stars:  Leonardo DiCaprio (Jack Dawson), Kate Winslet (Rose DeWitt Bukater), Gloria Stuart (Rose Dawson Calvert), Billy Zane (Cal Nathan Hockley), Kathy Bates (The Unsinkable Molly Brown), Bill Paxton (Brock Lovett)
Director:  James Cameron  

Awards / Honors
Genre:  Historical / Romantic Drama
Running Time:  3 Hours, 14 Minutes
Format:  DVD (Not yet available on Blu-ray)
Odyssey Rating:  3 Stars (John - 3 Stars, Beth - 3Stars)

John's Take
Of the 20 or so films on this list that I hadn’t seen before starting our little film Odyssey, this was the only film that I was actively dreading.  I really expected to hate this movie, and part of me really wanted to hate this movie.  I recognize that there is a certain level of irony in a situation where I write a review that focuses on how “backlash” can have an adverse effect on how we perceive a film (Dances with Wolves below) and that it ends up getting posted between two reviews where my perception of the films and / or its fans have been clearly affected by backlash (this one and Pulp Fiction).  So, I promise to try to not let any of the preconceived notions that have been become firmly entrenched in my mind over the years affect my review of this movie.

As I said, I really didn’t want to like this movie.  In fact, over the years, I have has actively tried to avoid this movie like it was a plague carrying rodent.  Why?  Well because I felt betrayed by James Cameron.  Here was a man that made great “guy movies” like The Terminator, Rambo, First Blood Part II, Aliens and True Lies and he goes and makes a giant chic flix?  I was appalled.  I strongly suspected that James Cameron had been replaced some sort of alien shape-shifter that was secretly trying to emasculate all men as part of a plot to take over the planet.  Part of me was certain that if I watched the movie that it would somehow suck all of my testosterone out of my body in much the same way a vampire might suck out all my blood.  Side Note: Speaking of blood-sucking, I currently feel the same way about the Twilight movies as well, but at a level about ten-fold of what I felt about Titanic

Having now watched it, I must reluctantly admit that Titanic wasn’t all that bad.  It wasn’t the greatest movie I had ever seen but it was certainly better than films like A Place in the Sun or All the President’s Men.  Also, I haven’t noticed any drop in my testosterone level, but the jury is still out on the vampiric properties of the film.  Until those test results come in, I am giving the movie a ranking of 3 Stars.

Having said all that, one important question remains – how did this movie become one of the highest grossing movies of all times?  Look, I realize I am a male so maybe it is just biologically impossible for me to understand, but can some woman out in the Inter-verse please try to explain this to me?  Unfortunately Beth is no help in this case.  She kind of feels the same way about the movie as I do (she hadn’t seen the movie either).  While I am certainly not a fan of chic flixs in general, I am not without a certain level of appreciation for some of them. I like Steel Magnolias, Pretty Woman, Dirty Dancing, and the Mother-Of-All-Chic-Flixs Gone with the Wind, for example.  Still, I don’t understand why did women go and see this movie over and over again?  At the time of the film’s release my friend Rob explained it as “some sort of bizarre mother / daughter rite of passage”. Is that it?  Because really, I just don’t understand.

So, again, women of the Internet, please, please tell me why you all spent so much money on Titanic?  I really want to know, because there is got to be some way to use that information to my advantage. 

I won’t even discuss all the Oscars, other than I believe part of the reason why The Hurt Locker beat out Avatar for Best Picture was The Academy’s way of making up for all the awards that it heaped on Titanic.  Like an NBA or NFL ref calling a ticky-tack foul later in a game to make up for a bad call they made earlier in the game.

OK, some of my preconceptions are starting to reemerge, so let’s just end this post before it starts to get out of control.  Again, the movie was far better than I thought it was going to be.  In fact, I would go on to say that I actually kind of enjoyed it.  That being said, I truly don’t understand how Titanic became one of the highest grossing; most award winning movies of all time.  It is good, but it is not that good.  I also wouldn’t include it as one of the all-time best.  The only explanation I can come up with is that James Cameron has indeed been replaced by an alien – we will just have to wait and see.

John

BETH'S TAKE:

When this movie first came out in 1997 I said that I wouldn't see it...everyone knows what happens...the ship sinks.

But now that I have seen it, I am glad that I did.

The side story with Jack and Rose is very sweet. Kate Winslet did an awesome job on the part of Rose. I am not a huge fan of Leo, but he was pretty good also. I must say, the movie made me think of all of those families that were less fortunate and were made to stay on the boat until the more fortunates were rescued. Just horrible!

Friday, July 2, 2010

102. Dances with Wolves (1990)

Stars:  Kevin Costner (Lt. John J. Dunbar), Mary McDonnell (Stands With A Fist ), Graham Greene (Kicking Bird), Rodney A. Grant (Wind In His Hair), Floyd Red Crow Westerman (Ten Bears)
Director:  Kevin Costner

Awards / Honors
  • 7 Oscars Wins - Best Picture, Best Director, Best Writing (Adapted Screenplay), Best Cinematography, Best Editing, Best Sound Mixing, Best Original Score
  • 5 Additional Oscar Nominations - Best Actor (Kevin Costner), Best Supporting Actor (Graham Greene), Best Supporting Actress (Mary McDonnell), Best Art Direction, Best Costume Design
  • In 2007, Dances with Wolves was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
  • Dances with Wolves is approximately the 112th highest grossing movie of all time, accounting for inflation (see Box Office Mojo)
Genre:  Historical Drama
Running Time:  3 Hours, 54 Minutes (Director's Cut)
Format:  DVD (not yest available on Blu-ray)
Odyssey Rating:  4 1/2 Stars (John - 5 Stars, Beth 4- Stars)

John's Take
As I have mentioned in previous posts, sometimes movies don’t age well.  Usually this is taken to mean that one or more elements of the movie seems wrong or odd to a modern audience – say, something like showing a husband and a wife sleeping in separate beds, antiquated special effects, or even something more serious like racial stereotypes.  Despite how critically acclaimed a movie may have been at the time, it always runs the risk of eventually becoming irrelevant.  On a rare occasion, however, it is not any particular element of the movie, but the success and accolades that the movie receives that have a negative impact on its shelf-life.  In other words, it becomes the victim of backlash.  It seems like Dances with Wolves is becoming one of those films.  As the years have past since the movie’s release, it seems like there is a growing desire among people who write about movies to take this movie "down a few pegs" for some reason.  In other words, the film’s reputation is starting to be affected by the backlash it has been subjected to over the years.  That backlash has come in many forms.

First, there is the fact that Dances with Wolves was Kevin Costner’s directorial debut, and a great number of people thought he was certain to fail.  This is because, as the stories go, Kevin refused to play it safe.  Instead, Costner consciously chose to break all the “rules” that first time directors are supposed to follow: 
  • Don’t work with animals – this film is full of difficult to train animals like wolves that needed to perform on cue, not to mention Costner nearly breaking his back during the buffalo hunt.
  • Don’t work outside – the entire film takes place outside and South Dakota is not known for predictable weather.
  • Don’t work with children – there were several supporting characters that were minors.
  • Don’t get too attached to your “vision” – A director can’t always include everything they want in a movie.  The theatrical release of Dances with Wolves is just over 3 hours long.  The Director’s Cut, which seems to be the default home video version, is just under 4 hours long.  Your movie better be really good if you want an audience to sit still for that long.
With information like that in mind, it shouldn’t come as a surprise that the film was dubbed “Kevin’s Gate” as the production began to spiral over budget.  Costner even ended up throwing in a few million dollars of his own money to get the movie completed.  There were plenty of Hollywood insiders and pundits that were convinced that film was doomed. I am sure that many of were extremely disappointed that in the end the movie was a huge success.  

Now had Costner taken a step back, thanked his lucky stars, and made a vow to himself not to make the same sort of mistakes again, he probably could have prevented some backlash.  Unfortunately, he didn’t do that.  It seems like the success of Dances with Wolves seem to simply just convince him that he knew precisely what he was doing and he preceded to handle his next two directorial projects – Waterworld and The Postman – more or less the same way.  History has shown that was a mistake.  The critical and / or commercial failure of both those films gave those Hollywood naysayers the ammunition they needed to write off Dances with Wolves as simply a fluke.

A second thing contributing to the backlash is how often Dances with Wolves has been copied or parodied.  In Hollywood, success brings on imitation, and having been very successful, Dances with Wolves has been imitated many times.  There was The Last Samurai (Dances with Katanas), FernGully: The Last Rainforest (Dances with Fairies), and  Avatar (Dances with Smurfs) just to name a few.  A host of movies such as Hot Shots! (“Now I am called Tukachinchilla. -What does it mean? - Fluffy Bunny Feet.” “Dances with Bikers got this for you…”) parody the movie as well.  While imitation may be the sincerest form of flattery, it can also diminish the thing being imitated – especially when those imitators are of lesser quality.  People forget how good the original was because they have grown bored with all the copies.

A third thing that people like to pick on is that Dances with Wolves tends to be a preachy.  The Native Americans are portrayed perhaps just a little too idyllically while the white Calvary men are portrayed perhaps just a little overly cruel.  Is that a bad thing?  Considering how badly America has treated the nation’s indigenous peoples – not to mention how they have traditionally been portrayed in film – I don’t think really think so, however, as a general rule, people don’t go to the movies to be made to feel bad, whether or not it is justified.  Thus, people feel the need to point out inaccuracies in an attempt to feel better.  If you are really successful, like Dances, or say Avatar, eventually the focus on inaccuracies transform into accusations of indirect racism; that the film is nothing but a fantasy where a white guy becomes an irreplaceable member / leader of a culture that is not his own.

Lastly, but related the third point, you have the fact that Dances with Wolves beat out Goodfellas for the Best Picture Oscar because it was a “cause film”.  In fact, Goodfellas never had a chance to win Best Picture.  There was no way that a movie about violent gangsters was going to be beat about a film that tells the story of how white Americans cruelly treated the Sioux because the white-man is too ignorant to see how brave and noble the Sioux are.  Hollywood and the Oscars live for movies like that – at least until another cause-of-day comes along.  Unfortunately it has been quite a few years since Dances was the cause-of-day, and just on its own merit Dances with Wolves was better than Awakenings, or Ghost, or The Godfather, Part III, but it clearly wasn’t better than Goodfellas.

As I said earlier in the post I really don’t agree with a lot of the backlash concerning this movie.  Not that I think that some of it isn’t completely without merit.  The film was indeed a vanity project for Costner.  The film (or it is copies / parodies) was everywhere for a while and it is understandable that people got sick of it.  The film is a little preachy and the fact that it was more “socially conscious” than its competition was ultimately how it ended-up winning the Best Picture Oscar.  All of that is more or less true; however, that is why it is important to re-visit movies from time to time.  It had been about 5 years or so since I had last seen this film, and I had probably seen it maybe 10 or 15 times since it had been released, so I am fairly familiar with it and could have easily written about it without watching it again.  Had I done that, however, my ranking for the film would have been different. I would have probably given the movie 4 Stars.  However, after watching it again, it reminded me that it is still a really great film and deserves to be included on the list of all-time greats and am somewhat confused on why it was excluded from the AFI 2007 list.

Despite that how long it is, and how legitimate some of the other criticisms may be, this movie is beautiful to look at, tells an engaging story, and has a good heart.  I give it a ranking of 5 Stars.

John